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Nudity Rider to Actor Contract

This rider should be attached to the actor's contract for any movie shoot that involves nudity and/or real or simulated sex acts.
The actor acknowledges being aware of the nature of the scenes, and consents to appearing nude or semi-nude and to taking part in the sexual acts.
The Nudity Rider to Actor Contract is an important contract template that should be part of your standard film project paperwork.
Buy and download the MS Word file, customize it for your purposes. Re-use as often as necessary.

$2.29

The crew member's employment is to be exclusive to the production.
The Deal Memo is not a guarantee of employment or a guarantee that the producer will use the employee's work in the motion picture.
Overtime must be approved beforehand. No compensation is paid for days not actually worked, including sick days and holidays.
The producer will provide transportation, accommodation, meals and per diem for out-of-town locations.
The employee will not be reimbursed for the use of his/her vehicle and mobile phone unless approved by the production manager.
Provisions for box / kit rentals. The producer is not liable for loss or damage unless caused by the producer's negligence.
The employee's services are provided on a "work made for hire" basis, and all proceeds belong to the producer. The producer has the right to use the employee's name and likeness for press kits and promotional materials.
Drug and alcohol use at work is grounds for immediate dismissal.
The employee will receive a screen credit at the producer's discretion.
This contract is governed by U.S. laws.

$14.99

The contract contains provisions for both SAG and non-union performers. Just choose the appropriate clauses for your project.
The wardrobe clause states that the actor will provide all wardrobe items, other than period costumes or specialty items which will be provided by the producer. You can amend this provision to fit the circumstances.
The producer has exclusive right to use the actor's name and likeness in connection with the picture. The producer will also have all merchandising rights, and will pay the actor a pro rata share of the gross revenues (less distribution fees) derived from the use of the actor's name or likeness in connection with merchandising.
The contract contains two dispute resolution clauses, one for SAG actors and one for non-union actors.
The contract also contains an employment eligibility requirement, in accordance with US immigration laws.
The performer gives the producer the right to make deductions from the performer's pay and remit them to the Motion Picture and Television Relief Fund.
Available in MS Word format, fully customizable and reusable.

$14.99

Even though the production is non-union, the parties intend that Writers Guild of America (WGA) credit rules will apply to the contract, to the maximum extent possible.
The screenwriter will be entitled to fixed compensation (flat fee), plus bonus compensation (based on final production budgets and credit allocation), and contingent compensation (calculated as a percentage of the net profits of the picture).
The screenwriter will also get additional compensation for sequels and remakes of the picture, and episode and rerun compensation for any television series based on the screenplay.
The producer will have sole ownership to the screenplay and all materials created in connection with the screenplay, including moral rights. The writer acknowledges that the services are provided to the producer as a work made for hire.
The Agreement includes an acknowledgement of FCC disclosure regulations by the screenwriter.
This USA Screenwriter Employment Agreement should be part of the production forms of any non-union project.

$29.99

The producer will be responsible for supervising and assisting with different aspects of the film making, including cast auditions, location scouting, hiring crew, photography, editing, and post-production.
The producer will receive a weekly salary, as well as deferred compensation (in first position of all contingent deferments), and contingent compensation.
The production company will have complete control of the production of the film and will own all rights to the motion picture, including all intellectual property rights.
The producer agrees to assign to the production company all rights in any material that he/she may have been responsible for writing or creating.
The producer will be entitled to a producing credit on all prints of the film and in paid advertising.
The parties agree to submit any disputes to AFMA arbitration.
This contract can be tailored for each specific project and re-used again and again, which saves you money.

$29.99

The producer (financier) will provide the financing for the picture, and the production service provider will oversee the operations of the film production, in line with the approved budget and production schedule.
The service provider will be paid an amount equal to the financing required to produce and deliver the film.
The financier will have right of approval over all expenditures and all business and creative decisions relating to the picture.
The service provider will contract with all personnel, suppliers, film labs, licensors, etc. in its own name and not as the agent for the financier.
As security for delivery of the picture, the production service company pledges all of its right, title and interest in the picture to the financier. The financier will be the sole owner of the copyright for the picture.
If the film goes significantly over budget, or if an event occurs which might permit a takeover by the completion bond company, or if the service provider defaults, the financier has the right to take over production of the picture.
When all elements of the picture have been delivered, or if the financier exercises its takeover rights, the service provider will assign all of its rights in the picture to the financier.
Available in MS Word format.
Add the Motion Picture Production Services Agreement template to your production contract forms.

$29.99